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-2010- Roswell Artist-in-Residence: Roswell Artist-in-Residence: Roswell Artist-in-Residence: -2009- Veils of Truth: Ted Kuykendall 1953-2009 Roswell Artist-in-Residence: WPA Serigraphs: Images for the Nation Repackaged: Works by Petra Soesemann and Nancy Fleming Roswell Artist-in-Residence: Roswell Artist-in-Residence: A RAiR Family Roswell Artist-in-Residence: Contemporary Journeys: Roswell Artist-in-Residence:
Roswell Artist-in-Residence: Roswell Artist-in-Residence: Roswell Artist-in-Residence: Roswell Artist-in-Residence: Roswell Artist-in-Residence: Our Beginnings: The WPA Legacy Roswell Artist-in-Residence: The Art of Empty Space: Vessels from the RMAC Permanent Collection Interweavings: The Art of Howard Cook Roswell Artist-in-Residence: Raïssa Venables: In the Guest House John DePuy: The Defining Decades: RMAC at 70 DeAnn Melton: Masters and Lovers |
Roswell Artist-in-Residence: Weronika Zaluska
May 10 - June 15, 2008 |
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Artist Weronika Zaluska uses inexpensive, light-weight cloth as a familiar “stand in” for other substances, in order to trigger a wide variety of perceptual sensations within the human body. The colorful, whipped-up layers of the soft and airy wall hangings are reminiscent of desserts, such as meringue pie or custard. Hinting at such sweets, the artist brings the viewer to a delectable sense of alertness, where attention to an object becomes intimate and sensuous. Zaluska is interested in the perceptual area in which cloth references desserts and other food-like surfaces used in art such as textured paint or cake-like plaster. It is a place where fabric playfully borrows the characteristics of other mediums, without attempting literal imitation.
A pursuit of seamlessness between lifestyle and art-making is essential to Zaluska’s work. Through a daily practice of meditation and yoga, as well as readings on neuroscience, she has been examining the relationship between bodily senses and the environment. The resulting body of work focuses on perception as a resurfacing layer of “right now”, as well as the chronological progression of how perception is “built” over time. The viewer comes face to face with the light-weight, bubbling fabric surfaces, revealing themselves before one’s senses just like subsequent layers of present moment “pealing off” and coming to the top. |
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